Hermitage ~ part 14 – Gogh, Vincent van - Cottages
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Согласно каталогу Эрмитажа, название картины – "Хижины".
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A palpable sense of movement pervades the work. This is achieved through the energetic application of paint; short, thick brushstrokes define every element – from the undulating terrain to the billowing clouds overhead. The color palette is predominantly green and blue, with variations in tone that create a vibrant, almost restless atmosphere. The greens range from deep emeralds in shadow to lighter, sun-drenched hues on the slopes facing the sky. The blues of the sky are similarly animated, swirling with white brushstrokes that suggest wind or atmospheric turbulence.
The artists treatment of perspective is unconventional. While there’s a clear indication of depth through the receding hillside and diminishing size of the cottages, the lack of linear perspective creates a flattened effect. This contributes to the overall feeling of immediacy and emotional intensity. The viewer isnt invited into a realistic space; instead, they are presented with an impressionistic rendering of a place imbued with subjective feeling.
Beyond the straightforward depiction of rural dwellings, subtexts relating to human connection to nature emerge. The cottages seem almost absorbed by the landscape, their presence integrated rather than imposed. This suggests a symbiotic relationship between humanity and its environment – a sense of belonging and perhaps even vulnerability within the vastness of the natural world.
The vigorous brushwork also hints at an underlying emotional state. The energy in the application of paint conveys a feeling of restlessness or agitation, suggesting that the scene is not merely observed but felt intensely by the artist. This contributes to a broader sense of melancholy and introspection, characteristic of works exploring themes of isolation and the search for solace within nature.