Mauritshuis – Correggio (after) - Christ on the Mount of Olives
40×27 cm.
Correggio (after) (c.1489-1534)
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Популярное у наших переводчиков – Моление о чаше – означает, что Христос хочет умереть. Поэтому нужно вспомнить слова Христа – Да минует меня чаша сия-, т. е. он просит бога сохранить Христу жизнь. Ну а как оно вышло, мы давно знаем.
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To the upper right, a smaller figure – presumably an angel – is visible, rendered in warm tones that further distinguish it from the somber background. This angelic presence seems to offer solace or perhaps witness to the central figure’s anguish. The angels pose is dynamic, suggesting movement and engagement with the scene unfolding below.
The landscape itself is largely obscured by shadow, creating a sense of isolation and foreboding. Hints of foliage are discernible in the foreground, adding depth but contributing to the overall atmosphere of melancholy. The darkness isn’t uniform; it seems to swirl and eddy around the figures, suggesting an unseen force or spiritual weight pressing down upon them.
The artist employed a chiaroscuro technique – a strong contrast between light and dark – to heighten the emotional impact. This dramatic lighting not only draws attention to the central figure but also creates a sense of theatricality, as if the scene is illuminated by divine intervention. The limited color palette reinforces this feeling of solemnity and spiritual intensity.
Subtly, there’s an implication of internal struggle. The posture suggests both submission and resistance; he appears to be yielding to something beyond his control while simultaneously maintaining a degree of dignity. The angels presence introduces the possibility of divine intervention or guidance in moments of profound crisis. Ultimately, the work conveys a sense of vulnerability, faith, and the burden of responsibility – a moment poised between despair and hope.