Garden of Earthly Delights Hieronymus Bosch (1450-1516)
Hieronymus Bosch – Garden of Earthly Delights
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Painter: Hieronymus Bosch
Location: Prado, Madrid.
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This painting is the most famous triptych by the Dutch artist Hieronymus Bosch. The reproduction is so called because of its central part, which is devoted to one of the sins - lust. The modern name of the painting was given by the researchers. To this day, there is no unambiguous interpretation of the painting. The main feature of the triptych is that the artist tried to convey his ideas through a lot of small details.
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Description of Hieronymus Bosch’s The Garden of Earthly Delights
This painting is the most famous triptych by the Dutch artist Hieronymus Bosch. The reproduction is so called because of its central part, which is devoted to one of the sins - lust. The modern name of the painting was given by the researchers. To this day, there is no unambiguous interpretation of the painting.
The main feature of the triptych is that the artist tried to convey his ideas through a lot of small details. The painting itself consists of three parts: the Left sash, the Central part and the Right sash.
The Left Casement depicts the period when the world was created. Heaven and Earth gave life to dozens of animals. The center of the composition is filled with the Source of Life - a tall, thin, pink structure. In the foreground, the author has chosen to show the world before the Flood, and also to depict a scene of how Adam and Eve were tempted and driven out of Paradise.
The central part is considered Bosch’s idyll. It depicts a garden inhabited by naked men and women. Their main occupation is gathering food and a variety of games of lovemaking. You can see a couple of figures that fly through the sky. In addition, huge plants deserve special attention. All together give the impression of innocence and simplicity.
On the Right Sash, or as it is also called the Music Hell, are depicted dead musicians with their instruments. After a careful inspection of this part of the painting, it becomes clear that the author wanted to convey in this way a nightmarish reality.
Various transparent figures, fantastic structures, monsters, and infernal caricatures can be seen in the painting. Some scholars have theorized that with the painting the author was trying to portray human life, in which there is an image of true love and a feast of voluptuousness. Only the simple and detached figures, as well as the positive attitude of the church toward the painting, raise doubts.
COMMENTS: 4 Ответы
ДОБРО И ЗЛО
Сосуд наполнен до краёв,
Зло через край переливает.
Грехов достаточно, стихов…
Чего на свете не бывает?
Добро и зло. Слова, слова…
Коль были б ноги у калеки,
Прошёл бы мир огнём – едва
Ползёт сейчас, краснеют веки.
На паперти убога голь.
Убога – значит ли у Бога?
Насколь свою играешь роль,
И сколь ясна тебе дорога?
Я добрый! Мягкая душа,
Я всех дворняг бы обиходил.
Я злой! Не вижу ни шиша
Помимо тьмы – её угодий.
Добро и зло соединить
И даже пробовать не надо.
Но жизнь сумевши полюбить,
Оценишь световые клады.
Даже слов нет! ♥
Jeronym Bosch Through the Eyes of Modernity
Perhaps one of the most enigmatic painters in world art is Hieronymus Bosch. Not everyone even knows his real name, and the titles of his paintings have long been forgotten. His canvases were destroyed, he was forgotten for centuries, but somehow it was precisely in the twentieth century that his work became so relevant.
Jheronimus Anthonissen van Aken is the painters real name. In his time, he was very educated and had an impeccable understanding of sacred scripture, which is why he sought to convey to less literate compatriots the essence of the main book of Christianity. Nevertheless, for a modern viewer, it is more difficult to understand the artists canvases, as some of the symbols depicted in his paintings have lost their former meaning. Therefore, when looking at Boschs canvases, one must also refer to the Bible.
The work The Garden of Earthly Delights is executed in the form of a triptych, that is, it is practically a book, and the work itself is text. On the closed shutters, we see the figure of a traveler, but in reality, this is an illustration of the parable of the good Samaritan. The artist depicted himself as the main character who stopped hesitating, wondering whether to help someone in need or pass by. To understand how events will unfold, the viewer must open the shutters of the triptych.
On the left is depicted the story of Adam and Eve in paradise, their choice, which led to expulsion and damnation of all mankind. In the center is the Garden of Earthly Delights itself, symbolizing material and moral well-being in the human world. The characters in this painting are ready for anything just to climb onto the cart; they kill each other, fight, and fall under the wheels. Amidst all this chaos, they do not see that demonic creatures are driving the cart, leading it into hell. They do not notice the Savior above them either, because they are blinded by the struggle for earthly happiness, which crumbles in their hands like straw. On the right side, Bosch depicts Hell, populated by nightmarish creatures, where the souls of sinners are tormented, who have forgotten that spiritual well-being is much more important than material possessions.
When the viewer closes the shutters of the triptych and again faces the question of how a good Samaritan should act, he easily finds the answer. For it is selfless help to ones neighbor that will save a person.
The merciless attitude towards sinners is also reflected in another work by the artist – The Garden of Earthly Delights. On the closed shutters is depicted the moment of creation of the world. God stands above the earth, on which there are no people yet, and reads a book. When the triptych opens, the first thing that catches the eye is again Adam and Eve in paradise, and a reminder of the choice they made. In the center are people having fun and feasting. The artist depicted them surrounded by berries – symbols of idleness and carelessness, because berries do not provide nourishment and, like empty pleasures, give only a sweet taste. At the feet of the crowd, scattered in the dirt, are pearls – symbols of the human soul. Thus, Bosch depicts the choice that people made when they preferred carnal pleasures and lost their souls. And on the right is Hell, as punishment for a frivolous life full of sin.
Ultimately, the theme of moral choice has never been so relevant as it is now, during an abundance of pleasures and readily available entertainment. Perhaps that is why humanity remembered Hieronymus Bosch.
Круто! Ты освоил copy/paste! Теперь можешь плагиатя прослыть за интеллектуала!
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This is a painting known as The Garden of Earthly Delights by Hieronymus Bosch, a triptych with three panels.
What I see:
The painting is divided into three distinct panels, each depicting a different scene or concept.
The left panel: This panel appears to represent paradise or the Garden of Eden. We see calm, serene landscapes with a Fountain of Life. There are various animals, some mythical and some real, coexisting peacefully. Adam and Eve are depicted on the far left with God. Strange, organic structures rise from the ground, contributing to an otherworldly atmosphere.
The central panel: This is the largest and most complex panel, depicting the titular Garden of Earthly Delights. It is filled with a multitude of nude human figures engaged in various activities, often interacting with oversized fruits, birds, and fantastical creatures. The scene is a vibrant, crowded spectacle of pleasure, indulgence, and perhaps folly. There are many circular pools and intricate structures, all populated by active figures.
The right panel: This panel depicts a hellish landscape, a stark contrast to the previous two. It is a dark, chaotic scene filled with torment and punishment for sins. We see grotesque demons, musical instruments used as torture devices, figures engulfed in flames, and various forms of suffering. The overall impression is one of a nightmarish consequence for the indulgences shown in the central panel.
Subtexts:
The Garden of Earthly Delights is a highly allegorical work, and its subtexts are a subject of much debate and interpretation. Here are some common interpretations:
The Journey of Humanity: The triptych is often interpreted as a progression through humanitys state: from creation and innocence (left panel), through earthly temptation and sin (central panel), to the ultimate damnation and punishment (right panel). It can be seen as a moralistic warning against succumbing to worldly pleasures and carnal desires.
Alchemical Symbolism: Some scholars suggest that the painting is rich with alchemical symbolism, with the strange structures and transformations representing alchemical processes and the pursuit of spiritual transformation.
Heresy and Esotericism: Boschs era was a time of religious questioning and the rise of various spiritual movements. Some interpret the painting as reflecting the beliefs of an esoteric sect or even as a critique of the established church.
The Nature of Sin and Pleasure: The central panel, in particular, is seen as a depiction of the ephemeral and potentially destructive nature of earthly pleasures. The delights are presented in a way that is both alluring and unsettling, hinting at the potential for sin and corruption within such pursuits.
A Vision of the End Times: The hellish imagery of the right panel could also be interpreted as a premonition of the apocalypse or a visualization of divine judgment.
Boschs work remains enigmatic and open to a multitude of readings, making it one of art historys most fascinating and debated masterpieces. The sheer detail and imaginative power of the painting invite viewers to continually discover new meanings and symbols.