bakst daphnis et chloe costume 1912 Leon Bakst

The drawing presents a figure in what appears to be a theatrical costume design. The central focus is on the elaborate garment, which dominates the composition. The individual stands against a plain background, directing attention entirely toward their attire and posture.
The costume itself exhibits a striking combination of colors: deep reds, blues, and yellows are prominently featured, creating a vibrant and somewhat opulent effect. A repeating pattern of stylized floral motifs adorns the cloak-like upper portion, suggesting a deliberate attempt to evoke a sense of decorative richness. The design incorporates elements that recall classical drapery, with folds and layers contributing to a flowing, almost ethereal quality. Below the cloak, a simpler yellow skirt is visible, its texture indicated by subtle shading.
The figure’s pose is somewhat stiff and formal; one arm is raised in a gesture that could be interpreted as either offering or presenting. The face, rendered with minimal detail, possesses an expression of quiet composure. The hair is styled simply, pulled back from the face to emphasize the neck and shoulders.
Subtly, theres a sense of theatricality inherent in the design. The exaggerated scale of the cloak, coupled with the formal pose, suggests a character intended for display on stage. The stylized patterns and color palette hint at an attempt to create a visual spectacle, possibly drawing inspiration from ancient or exotic cultures. The overall impression is one of carefully constructed artifice – a deliberate departure from naturalism in favor of symbolic representation. The date inscribed at the bottom corner (1912) places this work within a period marked by experimentation and innovation in artistic expression.