Jacques-Louis David – Bonaparte Crossing the Grand Saint-Bernard Pass, 20 May 1800
1800-01. 260x221
Location: National Museum of Chateau de Malmaison (Musée national des châteaux de Malmaison), Rueil-Malmaison.
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ЖИВОПИСЬ ДАВИДА
Гордец, неистовы глаза -
тиран грядущий, император,
в нём волю к власти каждый атом
имел – иначе и нельзя.
Марат убит, вода течёт,
вода, окрашенная кровью.
Мир не желает жить любовью -
и мир любовью не живёт.
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In the lower left of the painting, carved into rocks, are names of great commanders who had previously crossed the Alps: BONAPARTE, ANNIBAL (Hannibal), and KAROLVS MAGNVS (Charlemagne). This placement is a deliberate artistic choice meant to elevate Napoleon to the same historical stature as these legendary figures, likening his crossing to their own monumental feats.
The subtext of the painting is largely one of propaganda and glorification. David, as Napoleons official painter, was tasked with creating an image that would solidify Napoleons heroic image as a brilliant military leader and a visionary conqueror. The painting is not a realistic depiction of the actual event, as Napoleon is said to have crossed the pass on a mule and in more practical attire. Instead, its a highly idealized and dramatic portrayal designed to inspire awe and admiration for Napoleon and his ambition. The rearing horse, the flowing cape, the dramatic gesture, and the monumental historical comparisons all combine to create a powerful myth of Napoleons invincibility and destiny.