Vasily Ivanovich Surikov – Dives and Lazarus
1873.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
THE HUMAN ABYSS
Falling into the hole, I fear myself -
What nuances will be here?
The hero will rush to explore,
But no abyss is more frightening than emptiness.
Non-being seems to reside within
Your soul, a tiny crack.
I have explored the boundaries of suffering,
Never thinking of achieving triumph.
I am afraid – how can I escape from
Such an abyss that pulls me in?
How many times I turned to God, the poor man,
That is what life meant.
You cannot comment Why?
In the foreground, a gaunt and dishevelled beggar, Lazarus, in a state of destitution, is surrounded by lean, watchful dogs. One dog licks his wounds, a poignant detail from the parable. Lazarus is depicted with a pallor that suggests suffering and neglect.
In the background, on an elevated platform, Dives the rich man reclines, draped in luxurious fabrics. He is attended by servants, one of whom fans him. Dives appears oblivious to Lazaruss plight. The setting is opulent, with hints of an exotic, Eastern aesthetic, suggested by the architectural elements and the presence of a peacock. The peacock, often a symbol of pride and vanity, further emphasizes Divess worldly indulgence.
The composition starkly contrasts the opulence of Divess world with the abject poverty of Lazarus. The dark, heavy drapery surrounding Divess chamber contrasts with the lighter, more open, albeit overgrown, area where Lazarus sits. The overall atmosphere is somber and dramatic, highlighting the themes of wealth, poverty, divine judgment, and the consequences of ones actions in life. The painting serves as a moralistic commentary, urging viewers to consider compassion and the ephemeral nature of earthly riches.