Edward John Poynter – On the Terrace
1889
Location: Walker Art Gallery, National Museums Liverpool, Liverpool.
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COMMENTS: 1 Ответы
Вы только представьте, какая была скучная жизнь, пока не появились смартфоны! В картине ничего не надо менять, только вместо веера, пера и жука дать девушке в руки мобильник...
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The setting itself is meticulously rendered. A classical balustrade forms the immediate foreground, constructed from what appears to be marble, its surface exhibiting subtle variations in texture and light. Behind the figure rises a more substantial architectural element – a wall or column adorned with decorative carvings, hinting at a grander structure beyond the terrace. Olive trees are strategically placed, their foliage softening the rigid geometry of the architecture and providing a visual link to the natural world.
The seascape visible in the distance is characterized by a calm expanse of water punctuated by the presence of sailing vessels. The horizon line is low, emphasizing the vastness of the sea and contributing to a sense of isolation within the scene. A mountainous coastline is faintly discernible on the far side of the water, adding depth and scale to the composition.
The woman’s attire – a simple, flowing garment reminiscent of classical Greek dress – reinforces the paintings connection to antiquity. The pale color palette, dominated by creams, whites, and muted greens, contributes to a sense of serenity and timelessness. Light plays an important role in shaping the scene; it illuminates the figure from the side, highlighting her features and creating subtle shadows that define her form.
Subtly, the painting evokes themes of leisure, reflection, and perhaps longing. The woman’s solitary posture and downcast gaze suggest a state of introspection or quiet sadness. The idyllic setting – the terrace overlooking the sea – implies privilege and ease, yet this is tempered by the figures apparent detachment from her surroundings. One might interpret the scene as an exploration of interiority within a context of external beauty, hinting at the complexities of human emotion even amidst tranquility. The fan itself could be read as a symbol of both leisure and restraint, further complicating the narrative possibilities inherent in the image.