SandersonRuth Saints !Index3 sj Ruth Sanderson

The presented series of small-scale works displays a consistent visual language rooted in medieval illumination traditions. Each panel depicts scenes involving figures draped in flowing robes and set against stylized landscapes rendered with vibrant color palettes dominated by greens, yellows, and reds. The borders are elaborately ornamented with foliage and geometric patterns, framing the central narrative elements.
The compositions within each panel are carefully structured to emphasize key moments. In several instances, a hierarchical arrangement of figures is evident; for example, in one scene, a seated figure appears elevated above others, suggesting authority or divine status. The faces of the individuals depicted possess an idealized quality, with large eyes and serene expressions that convey piety and grace.
A recurring motif involves interaction between humans and animals – notably, a lion appearing docile near human figures. This suggests themes of dominion over nature, symbolic power, or perhaps divine protection. The use of light is also noteworthy; it appears to emanate from unseen sources, bathing the subjects in a soft glow that enhances their spiritual aura.
The overall effect is one of reverence and solemnity. While the scenes are not explicitly labeled, they evoke narratives associated with religious figures and events. The deliberate flatness of perspective and the decorative nature of the borders contribute to an aesthetic reminiscent of illuminated manuscripts, suggesting a desire to connect with artistic traditions of the past while simultaneously presenting them in a contemporary context.
The numbering system (18-27) indicates that this is part of a larger collection, implying a systematic exploration of similar themes and visual conventions across multiple works. The inclusion of -sj at the bottom suggests an attribution or signature related to the artists process.