Giovanni Battista Tiepolo – Bellerophon on Pegasus
1743-50. 600 cm
Location: Palazzo Labia, Venezia.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above this tumultuous scene, a more serene atmosphere prevails. A female figure, presumably divine in nature given her ethereal appearance and placement amongst clouds, gestures upwards with an open hand. She is accompanied by smaller winged figures, adding to the sense of celestial presence and benevolent observation. The background consists of a pale blue sky punctuated by scattered clouds and several birds in flight, contributing to the overall feeling of expansiveness and elevation. A sharply defined pyramidal form rises from behind the female figure, its purpose ambiguous but potentially symbolic – perhaps representing an unattainable goal or a divine realm.
The color palette is restrained, relying heavily on muted tones of blue, white, and pale pink. The limited use of brighter colors – the red drapery of the rider’s cloak and the gold accents on some figures – serves to draw attention to key elements within the composition. Light plays an important role in defining form; it illuminates the central figure and his mount, emphasizing their heroic stature while casting the lower combatants in shadow, suggesting a moral or hierarchical distinction between them.
The painting’s circular format reinforces the sense of completeness and cyclical nature inherent in mythological narratives. The arrangement suggests a progression: conflict and struggle at ground level, ascension towards divine intervention and reward. Subtly, the work explores themes of heroism, divine favor, and the consequences of earthly battles, all within a framework that evokes both grandeur and pathos.