Giovanni Battista Tiepolo – Intercession of St. Thecla during the plague in Veneto 1630
1758. 675x350. Este, Cathedral
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above this scene of earthly distress rises a celestial intervention. A group of figures, seemingly divine in nature, descends from the heavens amidst swirling clouds and radiant light. The central figure within this heavenly host is bearded and robed, his arms raised in what appears to be either benediction or supplication. Surrounding him are numerous cherubic figures, their presence reinforcing the notion of divine assistance.
The artist has employed a strong diagonal composition, directing the viewers eye from the suffering below towards the hope offered by the celestial intervention above. The contrast between the dark, earthy tones of the lower register and the bright, luminous colors of the upper register is striking, further emphasizing the dichotomy between earthly pain and divine grace.
The inclusion of a distant cityscape on the horizon line provides context for the scene; it suggests a community facing widespread devastation. The architectural elements visible in this cityscape are rendered with less detail than the figures, indicating their secondary importance to the narrative focus.
Subtly, one detects an exploration of themes related to faith and resilience in the face of adversity. The painting appears to be a visual representation of intercession – a plea for divine aid during a time of crisis. It speaks to the human need for solace and protection when confronted with overwhelming suffering, and suggests that hope can emerge even from the darkest circumstances. The depiction of both physical and spiritual distress underscores the profound impact of such events on individuals and communities alike.