Giovanni Battista Tiepolo – Allegory of Peace
c.1755. 37.5 x 46
Location: Private Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is restrained, primarily utilizing muted greens, browns, and blues. This subdued tonality reinforces the overall sense of tranquility and serenity. A soft, diffused light illuminates the scene, creating a hazy atmosphere that softens edges and contributes to a dreamlike quality. The background reveals a distant landscape – a horizon line punctuated by what might be hills or low mountains – underneath a pale sky populated with birds in flight.
Above the central figure, a winged putto descends from the heavens. This cherubic figure, typically associated with innocence and divine favor, appears to offer a garland or wreath, further reinforcing the theme of peace and prosperity. The placement of the putto high above emphasizes his role as an emissary of a higher power, bestowing blessings upon the scene below.
The subtexts within this painting are layered. The discarded arms signify not merely the absence of conflict but also its inherent futility. The female figure embodies a personification of peace – not through passive acceptance, but through active promotion and guidance. Her elevated position suggests her importance in establishing and maintaining harmony. The landscape beyond hints at a future free from strife, while the birds symbolize freedom and hope. Overall, the work conveys a message of reconciliation and the promise of a brighter future achieved through the abandonment of violence.