Giovanni Battista Tiepolo – Saint Patrick, Bishop of Ireland
Location: City Museum, Padua (Museo Civico).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around him are arranged several other individuals, each exhibiting distinct postures and emotional states. To the left, a young boy kneels before him, his head tilted upward in apparent reverence. A woman seated nearby displays an expression of quiet contemplation, her blue garment contrasting with the warmer tones surrounding her. Further to the right, another man, seemingly older and more weathered, gestures towards the central figure, his posture suggesting either deference or questioning. At the base of the composition, a figure lies prostrate, appearing frail and vulnerable; he clutches what seems to be a staff or walking stick, hinting at physical hardship or infirmity.
The background is dominated by an arched structure reminiscent of a balcony or loggia, with classical architectural details visible through the open space. Above this structure, faint figures are discernible, adding depth and suggesting a larger gathering beyond the immediate scene. The color palette leans towards warm earth tones – golds, reds, browns – with the blue garment of the seated woman providing a striking visual counterpoint.
The arrangement of figures suggests a hierarchical dynamic, with the central figure commanding attention and authority. The kneeling boy and the contemplative woman appear to be recipients of his blessing or influence, while the gesturing man and the prostrate figure seem to occupy positions of relative subordination. Subtly, there is an interplay between piety and questioning, strength and vulnerability, suggesting a narrative that extends beyond a simple depiction of reverence. The architectural setting reinforces this sense of formality and institutional power, framing the scene within a context of established order and tradition.