Giovanni Battista Tiepolo – The Vision of St. Anne
1759. 244 x 120
Location: Old Masters Picture Gallery (Gemäldegalerie Alte Meister), Dresden.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below him floats a young woman, also radiating luminosity, seated upon what seems to be a cloud-like structure adorned with small winged figures – putti – who playfully interact with her. Her posture is one of serene grace and acceptance, suggesting a role of mediation between the divine and earthly realms.
At the base of this hierarchical arrangement kneels an older woman, her face tilted upwards in rapt attention. She extends her hand towards the descending vision, her expression conveying both awe and supplication. The architecture behind her – a stone balustrade and glimpses of a cityscape – grounds the scene within a recognizable, albeit idealized, setting.
The color palette is largely warm, with golds, yellows, and browns dominating the upper portion of the painting to emphasize the divine nature of the vision. This contrasts slightly with the earthier tones used for the kneeling figure’s garments, anchoring her in the physical world. The use of light is particularly significant; it emanates from the celestial figures, illuminating them while casting the lower portions of the scene into relative shadow, further emphasizing the hierarchical structure and the otherworldly nature of the event.
Subtly, the composition suggests themes of divine providence, maternal piety, and spiritual revelation. The kneeling woman’s posture implies a receptive state, open to receiving guidance or grace from above. The presence of the putti introduces an element of innocence and joy into the otherwise solemn scene. The cityscape in the background hints at the intersection between faith and earthly existence, suggesting that divine intervention can occur within the context of everyday life. Overall, the painting conveys a sense of profound spiritual encounter, portraying a moment of intense connection between the human and the divine.