Marie Charlotte Madeleine Boutin de La Colombière (1729-1782) Alexander Roslin (1718-1793)

The portrait presents a woman in a three-quarter pose, her gaze directed towards the viewer with a gentle, almost hesitant expression. The artist has chosen a muted palette dominated by whites and creams, punctuated by touches of pale blue at the neckline. This limited color range contributes to an overall sense of quiet dignity and restraint.
The subject’s hair is styled in the elaborate fashion characteristic of the mid-18th century; it is arranged into voluminous curls piled high on her head, a style that emphasizes height and status. The meticulous rendering of the hair suggests attention to detail and adherence to contemporary beauty standards. A delicate lace collar frames her face, softening the contours and adding an element of refinement.
The dress itself appears simple in cut but rich in fabric; the folds are carefully depicted, conveying texture and volume. The blue ribbon at the neckline provides a subtle contrast against the white gown, drawing attention to the décolletage without being overtly provocative. This detail hints at a certain degree of social standing and access to luxurious materials.
The background is dark and indistinct, serving to isolate the figure and focus the viewer’s attention on her face and upper body. The lack of environmental context suggests that this is intended as a formal portrait, emphasizing character rather than narrative or setting.
Subtleties in the womans expression are noteworthy. While she offers a polite smile, there is also an undercurrent of melancholy or introspection visible around her eyes. This complexity prevents the portrait from being merely decorative; it suggests a depth of personality and perhaps even a quiet resilience. The overall impression is one of a woman who possesses both grace and inner strength, carefully presented within the conventions of aristocratic portraiture.