the pool Richard Emile (Edward) Miller (1875-1943)

The composition presents a solitary figure seated on the edge of what appears to be a decorative pool or basin within a lush garden setting. The woman is positioned in profile, her gaze directed downwards towards the waters surface, creating a sense of introspection and quiet contemplation. She holds an open parasol, its turquoise hue providing a striking contrast against the surrounding verdant foliage and the darker tones of her attire.
The artist employed a loose, impressionistic brushstroke throughout the work. The vegetation behind the figure is rendered with rapid, broken strokes of green, yellow, and touches of red, suggesting movement and vibrancy. This technique creates an atmospheric effect, blurring the boundaries between forms and emphasizing the play of light and shadow.
A table set for a meal sits slightly to the right of the woman, accompanied by a chair. The presence of this arrangement suggests a moment interrupted or a potential social interaction that has been temporarily suspended. It introduces a layer of narrative ambiguity – is she waiting for someone? Has someone just left? This detail contributes to the overall feeling of solitude and quietude.
The reflection in the water mirrors the woman’s form, albeit distorted by the surface ripples. The mirroring effect reinforces the theme of introspection; it suggests an engagement with her own image and perhaps a deeper exploration of self.
Color plays a crucial role in establishing mood. The cool tones of the parasol and the pool are balanced by the warmer hues of the surrounding vegetation and the woman’s clothing, creating visual harmony while also hinting at underlying tensions or contrasts within her emotional state. The subdued palette contributes to an overall feeling of tranquility tinged with melancholy.
The painting evokes a sense of stillness and quiet observation, inviting the viewer to ponder the womans thoughts and the circumstances surrounding this solitary moment in time.