Ozenfant, Amedee – Still Life. Dishes Hermitage ~ part 14 (Hi Resolution images)

The composition presents a still life arrangement rendered in a restrained palette dominated by muted greens, grays, and browns. Several objects – vessels of varying shapes and sizes – are arranged on what appears to be a table with a dark red surface. The background is similarly subdued, constructed from large planes of color that suggest an interior space without offering specific details.
The artist’s approach prioritizes geometric forms over realistic representation. The vessels are simplified into cylindrical, spherical, and conical shapes, their contours softened by the overall tonal unity. Light appears to emanate from a diffuse source, casting subtle shadows that define the objects volumes but do not create dramatic contrasts. This contributes to a sense of quietness and introspection within the scene.
The arrangement feels deliberately constructed rather than casually observed. The placement of each object seems calculated to establish a visual rhythm – a sequence of shapes and lines that guide the viewer’s eye across the canvas. There is an absence of overt narrative or symbolic content; instead, the focus rests on the interplay of form, color, and spatial relationships.
The limited range of colors and the geometric simplification suggest an interest in exploring the fundamental elements of painting – shape, line, and tone – rather than depicting a recognizable subject matter. The overall effect is one of measured elegance and intellectual detachment, characteristic of a movement seeking to move beyond representational art towards abstraction. The work invites contemplation on the nature of perception and the construction of visual reality.