Mauritshuis – Abraham van Beyeren - Sumptuous Still Life
c.1655, 98×76 cm.
Abraham van Beyeren (1620/1621-1690)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The composition presents a lavish arrangement of objects on a draped table against a dark, indistinct background. A significant portion of the canvas is occupied by a heavy, velvet cloth, its folds meticulously rendered to suggest both texture and weight. This fabric serves as a stage for an assortment of foodstuffs and domestic items, creating a sense of abundance and luxury.
A silver goblet dominates the central space, reflecting light and drawing immediate attention. Adjacent to it sits a large glass bowl overflowing with fruit – grapes, peaches, and what appear to be plums – arranged in a seemingly haphazard yet carefully balanced manner. The fruits themselves are painted with considerable detail, their surfaces exhibiting subtle variations in color and texture that suggest ripeness and freshness. A cluster of grapes spills over the edge of the bowl, adding to the impression of overflowing plenty.
To the left, a pewter plate holds several lemons and what appears to be a partially peeled orange or grapefruit. Beside this sits a wooden recorder, its dark tone contrasting with the brighter hues of the fruit. The instrument’s presence introduces an element of leisure and perhaps even musicality into the scene, hinting at a life of refinement and enjoyment. A small, ornate box is visible behind the plate, further reinforcing the sense of wealth and privilege.
The lighting in this painting is dramatic, with strong highlights illuminating certain objects while leaving others shrouded in shadow. This chiaroscuro effect enhances the three-dimensionality of the arrangement and creates a palpable atmosphere of richness. The artist’s skill lies not only in his rendering of individual objects but also in the way he orchestrates them to create a unified whole – a celebration of material comfort and sensory pleasure.
Subtly, the painting may allude to themes of vanitas, a common motif in Dutch still life paintings of this period. While the abundance is evident, the presence of perishable goods like fruit implicitly reminds the viewer of the fleeting nature of earthly possessions and the inevitability of decay. The recorder, representing pleasure and entertainment, could be interpreted as a reminder that even enjoyable pursuits are transient. Ultimately, the painting offers a complex interplay between celebration and contemplation, inviting viewers to consider both the beauty and the fragility of lifes pleasures.