Mauritshuis – Philips Wouwerman - ’The Arrival at the Stable’
c.1660-1670, 43×58.8 cm.
Philips Wouwerman (1619-1668)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a dramatic use of light and shadow. Deep darkness envelops much of the scene, punctuated by pools of illumination that highlight specific figures and details. This chiaroscuro effect creates an atmosphere of both intimacy and mystery, drawing attention to the activity occurring within the illuminated areas while obscuring what lies beyond. The opening in the structure’s facade provides a glimpse into a landscape bathed in softer light, suggesting a transition from darkness to openness.
The arrangement of figures is complex and layered. A central white horse, attended by a rider in blue, commands immediate attention. Around this focal point, other riders are positioned at varying distances, some engaged in conversation or interaction, others seemingly observing the scene. The horses themselves display a range of postures – some stand patiently, while others appear restless or eager to move on. A group of dogs lies scattered near the foreground, adding a touch of domesticity and suggesting a hunting context.
The attire of the riders indicates a degree of social standing; they are dressed in what appears to be formal riding wear, hinting at a noble or gentry class. The presence of weaponry – a spear held by one rider – suggests a potential military connection or an expectation of vigilance.
Subtly embedded within this seemingly straightforward depiction is a sense of narrative ambiguity. It’s unclear whether the group has arrived for respite, to deliver news, or to engage in some other purpose. The darkness and limited visibility contribute to this uncertainty, inviting speculation about the context and implications of their arrival. The landscape visible through the opening – with its suggestion of civilization and order – contrasts with the enclosed, somewhat shadowy space of the stable, potentially symbolizing a transition between different realms or states of being.
The overall effect is one of restrained drama and understated elegance, characteristic of genre scenes that sought to depict everyday life while imbuing it with a sense of nobility and refinement.