Mauritshuis – Cornelis Troost - Harlequin, Magician and Barber: The Rivals Exposed
1738, 62×50 cm.
Cornelis Troost (1696-1750)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The barber, seated on a high stool, holds scissors poised above the head of the man he’s ostensibly attending to. His expression suggests a mixture of concentration and perhaps amusement or even disdain. Hes dressed in relatively simple attire – a dark jacket over a white shirt with a cravat – which contrasts sharply with the flamboyant costumes of his companions. The stool itself is secured by chains, hinting at a sense of confinement or obligation within his profession.
The man receiving the haircut is clad in a flowing white robe and slippers, suggesting a performer or someone accustomed to theatrical display. His posture conveys a degree of discomfort or vulnerability as he endures the barber’s ministrations. He seems caught between the professional service being offered and the disruptive presence of the third figure.
The most striking element is undoubtedly the individual in the elaborate costume – a patchwork of red, white, and blue squares reminiscent of a jesters attire. This character stands close to the seated figures, his posture suggesting an assertive intrusion into their interaction. His face is partially obscured by a large, powdered wig, adding to the air of theatricality and mystery surrounding him. He seems to be observing the scene with a knowing expression, perhaps orchestrating or commenting on the unfolding events.
The background features a cityscape rendered in muted tones, providing context without distracting from the central action. A tree is strategically placed behind the figures, partially obscuring the buildings and creating depth within the composition. The lighting is soft and diffused, contributing to an overall atmosphere of gentle comedy and subtle social commentary.
Subtextually, the painting appears to explore themes of rivalry, deception, and the blurred lines between professions. The barber’s trade – traditionally associated with respectability and order – is disrupted by the flamboyant presence of the harlequin/magician, who embodies chaos and illusion. The costume of the third figure suggests a commentary on social roles and appearances; his elaborate attire might symbolize vanity or an attempt to mask a deeper identity. The scene could be interpreted as a satirical depiction of societal hierarchies and the performative nature of human interaction. The chains binding the barber’s stool introduce a layer of constraint, perhaps suggesting that even those who appear to hold authority are subject to limitations.