Mauritshuis – Quiringh van Brekelenkam - An Old Woman Bleeding a Young Woman, known as ’The Bloodletting’
c.1660, 48×37 cm.
Quiringh van Brekelenkam (after 1622-in or after 1669)
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The younger woman’s expression conveys a mixture of discomfort and resignation; her gaze is directed downwards, avoiding direct eye contact with the older woman. The elder womans face is etched with concentration, her features suggesting experience and perhaps a degree of authority in this act of caregiving. Her posture is upright, conveying a sense of purpose and control over the situation.
The setting itself contributes to the overall atmosphere. The room is sparsely furnished; the walls are plain, and light enters from an unseen source, casting shadows that deepen the sense of intimacy and confinement. A birdcage hangs suspended from the wall in the background, its occupant obscured but present as a symbol of captivity or perhaps freedom observed from within a limited space. A basket filled with what appear to be freshly baked rolls sits on a small table beside them, adding a domestic touch to this otherwise clinical scene.
Subtleties within the composition suggest layers of meaning beyond the literal depiction of bloodletting. The contrast between the two women’s ages and apparent social standing hints at themes of generational responsibility and the transmission of knowledge or skills. The act of bleeding itself could be interpreted as a metaphor for sacrifice, healing, or even the passage of time. The candles light, while providing illumination, also casts long shadows, creating an ambiguity that invites contemplation about the nature of suffering and care. The presence of the birdcage introduces a note of melancholy, suggesting a longing for something beyond the confines of their immediate circumstances. Overall, the painting evokes a sense of quiet drama and understated emotional complexity within a seemingly ordinary domestic setting.