Evaristo Baschenis – Still Life with Musical Instruments
1650. 97х147
Location: Pinacoteca di Brera, Milano.
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Several books occupy a prominent position in the arrangement. They appear stacked unevenly, suggesting a deliberate disorder that contrasts with the overall sense of control evident in the placement of other objects. A single apple rests atop one of the volumes, its vibrant red hue providing a focal point amidst the predominantly muted tones. A flute lies diagonally across the books, its polished surface reflecting the light and adding to the visual complexity.
To the left, a small box with an ornate lid sits adjacent to a terrestrial globe. The globe’s depiction of landmasses is visible, hinting at themes of exploration, knowledge, and perhaps even the transience of earthly power. A trumpet rests near the globe, its brass gleaming in the light.
Further right, a stack of papers lies open, revealing musical notation. Beside them sits a hat, seemingly discarded with casual disregard. The presence of these musical scores suggests an engagement with artistic creation or performance, while the hat introduces a note of informality and perhaps even a subtle commentary on the artist’s own role in the creative process.
The overall effect is one of learned contemplation and quiet luxury. The objects are not merely decorative; they function as symbols laden with meaning. The combination of musical instruments, books, and scientific tools suggests an interest in intellectual pursuits, artistic expression, and a broader understanding of the world. The darkness surrounding the arrangement contributes to a sense of mystery and introspection, inviting viewers to ponder the significance of these carefully chosen elements and their relationship to one another. There is a deliberate ambiguity; the scene feels staged, yet retains a certain intimacy, as if capturing a fleeting moment in a private study or studio.