Arthur Lismer – old pine, mcgregor bay c1929
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The immediate foreground is defined by these rocks, painted in earthy tones – ochre, umber, and sienna – with visible brushstrokes that emphasize their texture and solidity. A body of water extends into the middle ground, its surface reflecting a muted sky. The water’s color shifts between greenish-blue near the viewer and a hazy grey further away, creating a sense of atmospheric perspective.
Beyond the water, a distant shoreline is suggested by darker forms, indistinct and blurred, contributing to an overall feeling of vastness and remoteness. Above, the sky is turbulent; its not depicted as a serene expanse but rather as a swirling mass of grey and brown hues, hinting at impending weather or perhaps simply conveying the inherent drama of the natural environment.
The color palette is restrained, primarily utilizing earth tones with occasional flashes of brighter colors – a touch of red within the tree’s trunk, hints of yellow on the rocks – that serve to punctuate the scene. The application of paint appears thick and impastoed in places, particularly on the tree and rocks, adding a tactile quality to the work.
Subtly, theres an impression of struggle embedded within the landscape. The contorted form of the pine suggests resilience against harsh conditions – a silent testament to endurance. The muted colors and turbulent sky evoke a sense of melancholy or introspection. It’s not merely a depiction of a place; it seems to be an exploration of nature’s power, its capacity for both beauty and adversity, and perhaps even a meditation on the passage of time as embodied by this solitary, weathered tree.