John Jude Palencar – Becoming Human
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The most striking element is the theatrical mask held within the figure’s hand. Its a pale, classical form, contrasting sharply with the figure’s skin tone and the darker hues dominating the scene. The gesture of holding it – not wearing it – implies a rejection or questioning of imposed identities, roles, or expectations. This action suggests an active process of self-discovery rather than passive acceptance.
The column itself is significant. Its classical design evokes notions of order, stability, and civilization. However, its placement in this desolate landscape undermines these associations. The figure’s precarious position atop the column hints at a fragile balance between societal structures and individual experience. It could be interpreted as a commentary on the limitations or even the oppressive nature of established norms.
The background is rendered with subtle gradations of color – a dusky orange-purple that blends seamlessly into a horizon line. A crescent moon hangs faintly in the upper portion, adding to the dreamlike quality and suggesting cycles of change and renewal. The indistinctness of the landscape contributes to a sense of isolation and timelessness.
Subtly, theres an implication of transformation or transition. The figure’s posture and the act of discarding the mask suggest a movement away from something – a previous self, a false persona – towards an unknown state of being. This could be interpreted as a symbolic representation of becoming fully human, shedding superficiality to confront ones true nature. The painting invites contemplation on themes of identity, authenticity, and the challenges inherent in self-realization.