Konstantin Andreevich Somov – Goethe, Muse and Cupid
1906.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above him, two figures are depicted in mid-motion. The foremost is a woman, her form graceful and flowing, seemingly leaping upwards. Behind her, a smaller figure – a child – is suspended in the air, holding a bow and arrow, characteristic of Cupid. This placement suggests an allegorical or mythological context; the child’s presence introduces themes of love, inspiration, and perhaps even playful mischief.
The foliage that borders the scene creates a sense of enclosure and intimacy, suggesting a secluded garden or a hidden grove. The dense arrangement of leaves obscures any clear background beyond the immediate figures, focusing attention on their interaction. The absence of detail within the silhouettes allows for multiple interpretations; the viewer is invited to project meaning onto the forms based on their own understanding of symbolic representation.
The overall effect is one of ethereal lightness and intellectual curiosity. The man’s gesture and the womans upward movement imply a pursuit, whether it be of knowledge, beauty, or romantic affection. The presence of Cupid reinforces the notion that this pursuit is guided by forces beyond human control – the capricious nature of inspiration and love. The stark contrast between light and dark contributes to an atmosphere of mystery and heightened emotion, leaving room for contemplation on the relationship between the individual and the realm of imagination.