Jean Baptiste Ange Tissier – Odalisque
Location: Museum of African and Oceanian Arts (Musée des Arts d’Afrique et d’Oceanie), Paris.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Behind her, partially obscured by drapery and shadows, rests another figure, presumably male, asleep or in a state of repose. He is draped in textiles that suggest traditional Middle Eastern dress, further reinforcing the exotic setting. The spatial relationship between the two figures implies intimacy, though it remains ambiguous whether this is one of affection, servitude, or something more complex.
The artist has employed a rich color palette dominated by warm tones – reds, golds, and browns – which contribute to the overall sense of indulgence and sensuality. Light plays an important role in shaping the scene; it illuminates the woman’s face and upper body while leaving other areas in shadow, creating depth and highlighting her presence as the focal point. The details within the room – the patterned tiles, the ornate lamps, the hookah on a small table – are rendered with meticulous care, adding to the impression of an exotic and luxurious environment.
Subtly, the work seems to explore themes of Orientalism – the Western fascination with and often romanticized depiction of Eastern cultures. The woman’s pose and attire, while seemingly alluring, could be interpreted as a construction of fantasy rather than a realistic portrayal. The sleeping figure in the background reinforces this sense of distance and otherness, suggesting a power dynamic or a narrative that remains open to interpretation. There is an underlying tension between the apparent sensuality of the scene and a certain detachment, hinting at a complex interplay of desire, observation, and cultural representation.