Francois Boucher – The Sleeping Venus
1735. 49x60. Pushkin State Museum of Fine Arts, Moscow
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In François Bouchers The Sleeping Venus, the titular goddess reclines on a bed of plush fabrics, her pale skin rendered with soft, rosy hues. Her head is tilted back, eyes closed in a peaceful slumber, her right hand resting delicately beneath her chin. A single strand of pearls adorns her neck, a subtle accent to her divine form.
She is not alone. Around her, a group of cherubic putti engage in playful activities. Several of them are shown with doves, one pair gently stroking a birds feathers, while another seems to be offering it to Venus. The presence of these putti and doves, symbols of love and peace, reinforces the theme of Venus as the goddess of love.
The background is a dreamlike blend of soft clouds and azure sky, with hints of drapery suggesting an celestial or divine setting. The overall atmosphere is one of serene sensuality and gentle playfulness, characteristic of Rococo art. The paintings circular format draws the viewer into this intimate and idealized scene.
The subtext here revolves around themes of beauty, love, and sensual peace. Venus, the goddess of love, is depicted in a state of perfect repose, untroubled and utterly beautiful. The cherubs, her attendants, are engaged in gentle, innocent play, further emphasizing a world of idyllic pleasure and tenderness. The softness of the colors, the languid pose of Venus, and the presence of gentle creatures all contribute to a feeling of luxurious tranquility and the glorification of beauty and desire in a dreamlike setting.