St. John the Evangelist (Baglioni Diptych) Bergognone (Ambrogio da Fossano) (1453-1523)

The composition presents a standing figure within a narrow vertical format, framed by elaborate gilded tracery. The individual is depicted in profile, facing left, and appears to be engaged in writing or studying. A vibrant orange cloak drapes over the figures body, contrasting sharply with the dark blue undergarment visible at the neck and sleeves. This garment clings closely to the form, suggesting a slender physique.
The figure holds an open book in their left hand while a quill pen rests in their right, poised above a small writing surface positioned on a low table before them. The face is characterized by a youthful appearance, with long hair cascading down the shoulders and a contemplative expression. A halo encircles the head, indicating sanctity or divine connection.
At the figure’s feet sits a raven, perched upon another closed book. The birds dark plumage provides a stark visual counterpoint to the warm tones of the cloak and the golden background. Its posture suggests alertness and observation, almost as if it were acting as a silent witness to the scene unfolding.
The artist employed a limited palette, relying heavily on reds, oranges, blues, and gold. The use of light is somewhat diffused, creating a soft atmosphere that emphasizes the figure’s serenity and introspection. The backgrounds intricate detailing, with its interwoven patterns, draws attention to the figure while also contributing to an overall sense of formality and reverence.
Subtleties within the painting suggest layers of meaning beyond a simple portrait. The presence of the raven is particularly significant; in Christian iconography, ravens often symbolize prophecy, ill omen, or even spiritual guidance. Its placement at the feet of the figure could imply a connection to divine inspiration or a foreshadowing of events yet to come. The two books – one open and one closed – might represent knowledge, revelation, and the act of recording sacred texts. Overall, the work conveys an atmosphere of scholarly devotion and spiritual contemplation, hinting at themes of faith, writing, and perhaps even prophecy.