Lamentation of Christ with the three Marys (Polyptych of St. Bartholomew) Bergognone (Ambrogio da Fossano) (1453-1523)

The composition centers on a deceased male figure, positioned centrally and supported by three female figures. The deceased man lies upon a simple white cloth, his body exhibiting signs of trauma – a visible wound on his side – and displaying a pallor indicative of death. He is held tenderly by the women surrounding him, their gestures conveying profound grief and sorrow.
The artist has arranged these figures against a backdrop dominated by a large wooden structure, likely intended to represent a cross. This element looms above the scene, contributing to the overall sense of tragedy and sacrifice. The upper portion of the composition is darkened, creating a visual weight that draws attention downwards towards the central group. Hanging elements are visible on either side of the cross, suggesting a larger architectural context beyond what is immediately depicted.
The women surrounding the deceased man are differentiated by their attire and facial expressions. One woman, positioned to the left, extends her hand toward him with an expression of anguish. Another, situated to the right, embraces his body tightly, her face contorted in grief. The third figure, located above, leans down towards him, her posture suggesting a mixture of sorrow and reverence. Each is encircled by a golden halo, signifying their sanctity or importance within the narrative.
The color palette is restrained, dominated by earthy tones – ochres, browns, and muted reds – which contribute to the somber mood. The flesh tones are rendered with a degree of realism, emphasizing the physicality of suffering and loss. Light falls primarily on the deceased man’s body, highlighting his wounds and drawing attention to his vulnerability.
Beyond the immediate depiction of mourning, the painting evokes themes of sacrifice, compassion, and faith. The presence of the cross suggests a narrative of redemption through suffering, while the womens gestures underscore the human cost of such events. The composition invites contemplation on mortality, grief, and the enduring power of empathy in the face of tragedy.