John Vanderbank – John Dodd, of Swallowfield, Berkshire
1739. 239×147
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
His attire is indicative of a certain social standing. A richly embroidered coat, likely silk or velvet, dominates the visual field with its intricate gold detailing against a dark blue background. Beneath this, we see a waistcoat in a pale hue, complemented by red breeches and stockings. The shoes are buckled, adding to the overall impression of refined taste and expense.
The greyhound is positioned close to the gentleman, suggesting companionship and perhaps signifying status – such dogs were often associated with nobility and landed gentry. Its attentive stance reinforces the man’s perceived control and dominance within the scene.
Behind the figure, a dense woodland forms a backdrop. The foliage is rendered in muted greens and browns, creating depth and providing a contrast to the vibrant colors of the gentlemans clothing. A glimpse of a distant horizon suggests an expansive estate or property.
The lighting is carefully managed; it illuminates the man’s face and upper body, highlighting his features and drawing attention to his attire. The shadows cast by the trees contribute to a sense of atmosphere and mystery.
Subtly, the painting conveys messages about wealth, social position, and personal character. The landscape setting implies ownership and connection to land, while the dog reinforces notions of status and leisure. The gentleman’s relaxed posture and confident gaze suggest self-assurance and control – qualities valued within his societal context. Overall, the work is a carefully constructed statement of identity and belonging.