Emilio Savonanzi – Deposition of Christ in the tomb
1605~1625
Location: Academy Carrara (Accademia Carrara), Bergamo.
Album navigation:

На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a group of figures gathered around the central form. Their expressions range from deep sorrow to quiet contemplation, suggesting a shared burden of grief. One man with flowing white hair appears to be supporting the head of the deceased, his face etched with anguish. Another figure, clad in brown and yellow robes, pours water into a basin positioned near the feet of the body. A younger man, dressed in blue, looks on with an expression of profound sadness. A small child, seemingly oblivious to the gravity of the situation, stands nearby, adding a poignant layer of innocence amidst the despair.
The deceased figure is rendered with meticulous attention to anatomical detail, highlighting the physical toll of suffering and death. The pallor of the skin contrasts sharply with the rich colors of the surrounding garments, drawing immediate focus to the lifelessness. A white cloth partially covers the body, further emphasizing its vulnerability and fragility.
Above this scene of earthly mourning, a group of angelic figures appears in the upper portion of the painting. They are bathed in light, seemingly descending from the heavens. One angel holds aloft a vessel that resembles a chalice or lamp, possibly symbolizing hope, divine grace, or the promise of resurrection. The clouds surrounding them create a sense of ethereal distance and otherworldly intervention.
The background is composed of dense foliage and distant crosses silhouetted against a muted sky. This landscape serves to contextualize the event within a broader narrative of sacrifice and redemption. The darkness encroaching from the edges of the frame contributes to the overall atmosphere of melancholy and finality, while the light emanating from above offers a subtle suggestion of transcendence.
Subtly, the painting explores themes of mortality, grief, faith, and divine intervention. The juxtaposition of earthly sorrow with celestial hope creates a complex emotional landscape that invites contemplation on the nature of suffering and the possibility of eternal life. The inclusion of the child introduces an element of innocence and continuity, suggesting that even in the face of death, life persists.