Part 4 – Sebastiano Ricci (1659-1734) - The Olympian gods - Saturn
c.1700
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking this central figure are two smaller figures, clearly cherubic in nature. One appears to be airborne, its wings outstretched as if in mid-flight, while the other is positioned closer to the seated man, seemingly observing him with an expression that could be interpreted as reverence or perhaps a touch of apprehension. The color palette employed is warm and earthy, with tones of ochre, brown, and gold predominating in the depiction of the figures, contrasted against the cooler blues and whites of the sky and clouds.
The artist’s use of light contributes significantly to the drama of the scene. A strong light source illuminates the central figure from a direction that accentuates his features and musculature, casting shadows that add depth and volume. The swirling clouds create a sense of movement and dynamism, while also serving to isolate the figures within their celestial realm.
Subtextually, the painting seems to explore themes of power, age, and perhaps even mortality. The seated figure’s posture suggests both dominion and weariness, hinting at the burdens associated with authority. The presence of the cherubic figures introduces a layer of symbolism – they could represent divine favor, youthful innocence, or even the fleeting nature of time itself. The overall effect is one of grandeur and solemnity, evoking a sense of mythological narrative and timeless significance.