Pierre Subleyras – St John of Avila (c.1499-1569)
1745-46
Location: Museums and Art Gallery, Birmingham.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the subject stands a wooden cross bearing a depiction of Christ’s crucifixion. This element introduces a powerful religious subtext, immediately linking the man to themes of sacrifice, suffering, and redemption. The crucifix is bathed in light, drawing attention to it as a focal point within the scene. A draped blue cloth lies at the base of the cross, adding another layer of symbolic meaning – possibly representing purity or divine grace.
The lower portion of the painting reveals an inscription on a stone tablet, partially obscured by shadow. The text appears to be in Latin and likely provides biographical details about the man depicted. This inclusion reinforces the portrait’s function as a commemorative work intended to preserve his memory and legacy.
The lighting is dramatic, with strong contrasts between light and dark areas. Light illuminates the subjects face and upper body, highlighting his features and emphasizing the texture of his garments. The darkness enveloping the background creates an atmosphere of introspection and solemnity, directing the viewer’s attention to the man and the religious symbols surrounding him.
The overall impression is one of piety, intellectual depth, and a life dedicated to spiritual pursuits. The artist has skillfully employed light, shadow, and gesture to convey a sense of profound inner turmoil or deep contemplation within the subject.