Thomas Benjamin Kennington – Temptation
1914 oil on canvas
Location: Alfred East Art Gallery, Kettering.
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The second individual, a young woman, occupies the central space. Her expression is difficult to read; it conveys neither overt pleasure nor outright rejection, but rather a studied neutrality that borders on melancholy. She holds a large red feather fan in front of her face, partially obscuring her features and creating a barrier between herself and the man’s offering. A delicate floral embellishment adorns her dark hair, and she is dressed in an elaborate gown with lace detailing at the sleeves.
The box held by the older man appears to contain jewelry – small figurines or ornaments rendered in gold and precious stones. The light catches these objects, drawing attention to them as a potential symbol of wealth, power, or perhaps something more insidious. The darkness surrounding the figures intensifies the focus on this exchange, creating an atmosphere of secrecy and clandestine dealing.
The background drapery is heavily patterned with swirling motifs that are difficult to decipher precisely but contribute to a sense of opulence and decadence. This backdrop serves not only as a visual frame for the scene but also suggests a setting of considerable luxury and social complexity.
Subtextually, the painting explores themes of temptation, power dynamics, and moral compromise. The older man’s gesture can be interpreted as an attempt to influence or control the young woman through material possessions. Her guarded expression and the use of the fan suggest resistance, but also a degree of calculation – she is not entirely repulsed by the offering, nor does she readily accept it. The red color of the fan could symbolize passion, danger, or even shame. Ultimately, the painting leaves the viewer to ponder the nature of the transaction taking place and the potential consequences for both parties involved.