#36239 Francisco Sebastian

The canvas presents a landscape rendered in a highly fragmented and abstracted style. Here we observe a terrain composed of distinct, angular planes of color, eschewing any attempt at realistic representation. The composition is dominated by undulating forms that suggest hills or low mountains, arranged in receding layers. A central peak rises prominently, its form delineated through variations in ochre, brown, and grey tones.
The artist employed a palette largely consisting of earthy hues – yellows, browns, purples, and greys – with occasional flashes of brighter color. These colors are not blended smoothly; instead, they abut one another, creating a textured surface that vibrates with visual energy. The application of paint appears thick and impastoed, further emphasizing the materiality of the work.
The sky is suggested by a pale yellow band at the top of the canvas, offering a subtle contrast to the darker tones below. There’s an absence of any discernible horizon line; instead, the terrain seems to extend indefinitely into space. This lack of depth contributes to a sense of disorientation and detachment from conventional perspective.
The subtexts within this painting seem to revolve around themes of perception and representation. The fractured forms suggest a landscape viewed not as a unified whole but as a collection of discrete visual sensations. It’s possible the artist sought to convey an experience of nature filtered through subjective consciousness, or perhaps to explore the inherent limitations of depicting reality. The absence of human presence reinforces this sense of isolation and invites contemplation on the relationship between humanity and the natural world. The works overall effect is one of quiet intensity, prompting a re-evaluation of how we perceive and understand our surroundings.