Château de Versailles – Vigée-Lebrun, Elisabeth-Louise -- Marie-Thérèse-Louise de Savoie-Carignan, princesse de Lamballe
1782
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The artist has placed considerable emphasis on rendering the textures of the fabrics worn by the sitter. The gown, predominantly white with subtle grey accents at the neckline and sleeves, appears lightweight and flowing, its folds meticulously detailed. A large straw hat, adorned with plumes and ribbons in a matching grey hue, sits atop her head, contributing to an overall impression of refined elegance. The elaborate hairstyle, characteristic of the period, is carefully arranged and powdered, further emphasizing the sitter’s status and adherence to fashionable norms.
The background is dark and undifferentiated, serving to isolate the figure and direct attention towards her face and attire. This stark contrast enhances the luminosity of the subjects skin and clothing, creating a sense of depth and three-dimensionality. The limited color palette – primarily whites, greys, and subtle flesh tones – contributes to an atmosphere of quiet dignity and restraint.
Subtleties within the portrait suggest a complexity beyond mere representation. The slight downturn of her lips hints at underlying sadness or introspection, which contrasts with the outward display of aristocratic grace. The careful attention paid to detail in the rendering of her hands, clasped gently in front of her, conveys an impression of composure and control.
The overall effect is one of restrained beauty and understated nobility. While adhering to the conventions of portraiture prevalent during this era, the artist has imbued the work with a psychological depth that transcends a simple likeness, hinting at a personality both refined and perhaps burdened by circumstance.