Hope In The Prison Of Despair Evelyn De Morgan (1855-1919)

The composition presents a stark contrast between figures within a confined space. Here we observe a young woman, draped in a flowing crimson garment, standing opposite a figure seemingly imprisoned. The captive is clad in dark blue and appears bowed, her head lowered in what suggests grief or despair. A heavy chain binds her to the wall, emphasizing her lack of freedom.
The light source originates from the lamp held by the standing woman. Its glow illuminates her face and upper body, highlighting a youthful countenance with fiery red hair and an expression that conveys compassion and perhaps even pity. The flame itself is small but significant; it represents a fragile offering against the surrounding darkness. Above the captive, within an arched niche, a bird – likely a dove – is depicted in shadow, adding another layer of symbolic meaning related to freedom or spiritual release.
The architecture of the space contributes significantly to the overall mood. The walls are constructed from rough-hewn stone blocks, creating a sense of oppressive weight and permanence. A barred window is visible on the right side, offering a glimpse of an external world that remains inaccessible to the captive. The red curtain hanging on the left edge further isolates the scene, reinforcing the feeling of enclosure.
Subtly, the color palette reinforces the thematic dichotomy. The warm tones of the standing woman’s attire contrast sharply with the somber blues and browns dominating the prisoners clothing and surroundings. This visual distinction underscores the separation between hope and despair, agency and confinement.
The painting seems to explore themes of imprisonment – both physical and emotional – and the potential for solace or redemption offered through empathy and a small act of kindness. The gesture of offering light suggests that even in the darkest circumstances, a glimmer of hope can be extended, though whether it will be accepted remains ambiguous.