The Hour Glass Evelyn De Morgan (1855-1919)

Here we observe a composition dominated by rich color and symbolic detail. A woman, centrally positioned, occupies a throne that appears both regal and somewhat claustrophobic. Her attire is elaborate – a flowing gown of deep orange and gold, accented with intricate embroidery and a jeweled crown. She holds herself with an air of authority, yet her gaze seems distant, almost melancholic, directed beyond the viewers perspective.
The hourglass, prominently placed on a sculpted pedestal beside her, immediately draws attention. Its presence is not merely decorative; it functions as a potent symbol of mortality and the relentless passage of time. The sand within appears to be flowing steadily, reinforcing this theme. Scattered at the base of the throne are fallen roses, their petals suggesting decay and lost beauty – further emphasizing the ephemeral nature of existence.
Behind the seated figure, a complex architectural backdrop unfolds. A procession of figures, clad in armor and bearing torches, recedes into the distance along a corridor lined with arches. Their presence suggests a courtly setting, perhaps a ritual or ceremony. To the right, an angelic figure, seemingly detached from the main scene, plays a flute. This individual’s ethereal quality contrasts sharply with the grounded reality of the woman on the throne and the procession behind her, potentially representing hope, solace, or a spiritual realm beyond earthly concerns.
The overall effect is one of opulent grandeur tinged with profound sadness. The artist seems to be exploring themes of power, beauty, times passage, and perhaps the burden of responsibility that accompanies high status. The woman’s expression suggests an awareness of her own mortality and the fleeting nature of even the most powerful reign. The composition evokes a sense of introspection, prompting reflection on the transience of life and the inevitability of change.