Saint Ursula with Angels and Donor, 1455, 47x28.6 Benozzo (Benozzo di Lese) Gozzoli (c.1420-1497)

The composition presents a fragment of a larger narrative scene, likely devotional in purpose. Here we observe a grouping of figures arranged against a backdrop of muted blue and gold tones. The central focus is drawn to an angel, positioned slightly off-center, who holds aloft a richly ornamented banner or ribbon. This textile element dominates the visual field with its vibrant red hue and intricate detailing, drawing the eye across the composition.
The angel’s posture conveys a sense of solemnity and active participation in the unfolding event. The wings are rendered with meticulous attention to detail, exhibiting a feathered texture that suggests both lightness and power. The face is idealized, possessing a serene expression characteristic of depictions of celestial beings during this period.
To the left of the angel, a circular medallion features a portrait of a female figure. Her gaze is directed outward, conveying an air of quiet dignity. Inscribed around her image are Latin words, likely identifying her as Virgo (Virgin). The gold halo surrounding her head reinforces her sanctity and elevates her status within the narrative.
A partial view of another figure appears on the left edge of the frame; a glimpse of drapery suggests movement or interaction with the central scene. This truncated presentation implies that the work is part of a larger, more expansive composition.
The overall effect is one of restrained elegance and spiritual contemplation. The limited palette and careful arrangement of figures contribute to an atmosphere of reverence. The presence of the donor, implied by the portrait within the medallion, suggests a personal connection to the subject matter and reinforces the devotional nature of the work. It’s likely that this fragment served as a visual aid for prayer or meditation, intended to inspire piety in the viewer.