The Raising of Lazarus, probably 1497, 65.5x80.5 c Benozzo (Benozzo di Lese) Gozzoli (c.1420-1497)

The composition presents a dramatic scene unfolding within a carefully constructed spatial arrangement. A central figure, identifiable as the protagonist, is depicted in mid-gesture, his right arm extended upwards with a pronounced upward thrust of the hand. He wears a flowing blue robe draped over a lighter tunic, and holds what appears to be a book or scroll close to his chest. His gaze is directed towards an unseen point beyond the frame, suggesting a focus on something outside the immediate visual field.
To his left, a figure lies prone, partially obscured by the central figure’s stance. This individual seems to be emerging from a dark recess, hinting at a state of dormancy or transition. The lighting emphasizes this emergence; a beam of light illuminates the raised arm and the face of the resurrected man, contrasting with the shadows enveloping him.
A group of onlookers are positioned on the right side of the scene. Their expressions range from astonishment to reverence, their postures conveying a sense of witnessing an extraordinary event. Several figures wear halos, indicating their status as holy individuals. The arrangement of these witnesses creates a visual hierarchy, drawing attention towards the central action and reinforcing its significance.
The background is rendered with meticulous detail. A landscape stretches into the distance, populated by trees and architectural elements that suggest a prosperous town or city. This backdrop provides a sense of depth and context to the narrative unfolding in the foreground. The use of aerial perspective – the gradual blurring of details as they recede – further enhances this illusion of space.
The color palette is dominated by earthy tones – ochres, browns, and greens – with accents of blue and white highlighting key figures and elements. This restrained use of color contributes to a solemn and dignified atmosphere. The application of paint appears layered, creating a textured surface that adds visual interest and depth.
Subtly embedded within the scene are indications of human emotion and spiritual significance. The posture of the central figure conveys not only authority but also compassion. The expressions on the faces of the onlookers suggest a complex interplay of faith, wonder, and perhaps even fear. The landscape in the background, while seemingly idyllic, may symbolize hope and renewal following a period of darkness or despair. Overall, the painting communicates a powerful message about life, death, and the potential for divine intervention.