Img337 Henri De Toulouse-Lautrec (1864-1901)

Here we observe a chaotic scene unfolding on what appears to be a checkered floor. A man, rendered with exaggerated features and a bald head, is propelled upwards by a broom held aloft, his expression one of startled surprise or perhaps mild discomfort. He seems to be caught in the midst of an unexpected upheaval.
Dominating the central space is a large, vibrant red figure – a bull – its posture suggesting both aggression and a kind of frenzied energy. The animal’s form is stylized, almost cartoonish, contributing to the overall sense of absurdity.
Several other figures populate this dynamic composition. A woman with short hair stands nearby, seemingly observing the commotion with an air of detached amusement. Further back, a child in simple attire appears equally bewildered by the unfolding events. A black cat perched on a ledge adds another layer of peculiarity to the scene. Two dogs – one white and one tan – are depicted in mid-leap, mirroring the general sense of movement and unrest.
The text incorporated into the design provides context: La Vache Enragee, indicating this is likely a cover for a periodical. The presence of the title alongside details about its publication (Paris, monthly illustrated journal) suggests a satirical or critical intent.
Subtly, the composition seems to convey a sense of societal disruption or upheaval. The bull, often symbolic of strength and untamed power, could represent forces beyond control – perhaps political unrest, artistic rebellion, or simply the unpredictable nature of modern life. The exaggerated expressions and caricatured figures contribute to a tone that is both humorous and unsettling. The overall effect suggests a commentary on established order, presented through a lens of playful absurdity.