William Etty – Supper at Emmaus, after Titian
1830. 44.0 cm × 66.0 cm, Oil on canvas
Location: York Art Gallery, York.
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The central figure, seated at the tables head, possesses a somber expression and clasps his hands upon the tabletop. He appears to be the focal point, drawing attention through his posture and the way light falls upon his face. The other figures are arranged around him, their gazes directed towards him with varying degrees of recognition or surprise. Their clothing suggests differing social standings; one wears a red cap and dark vest, another is clad in green fabric, while the figure on the right is draped in what seems to be monastic robes.
The table itself is covered with a crisp white cloth, contrasting sharply with the darker tones of the surrounding environment. Scattered across the tabletop are various items – bread, fruit, and what appears to be a fish – suggesting a moment of sustenance and communal gathering. The landscape visible through the opening in the background is rendered in muted colors, creating a sense of depth and distance.
Subtleties within the painting hint at deeper meanings. The expressions on the faces of the seated figures suggest a revelation or realization occurring during this meal. Their gestures – the pointing finger, the raised eyebrows – imply a moment of recognition, perhaps of someone they thought lost. The contrast between the brightly lit foreground and the shadowed background creates an atmosphere of mystery and spiritual significance. The inclusion of the serving woman adds another layer to the narrative; her presence suggests both domesticity and observation, hinting at a broader social context surrounding this intimate gathering. Overall, the work conveys a sense of quiet drama and profound emotional weight, inviting contemplation on themes of faith, recognition, and shared experience.