William Etty – Lemons, Peaches and Nuts
1840-45. 20.0 cm × 30.0 cm, Oil on millboard
Location: York Art Gallery, York.
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The arrangement is loosely contained within what appears to be a shallow dish or tray, its edges barely discernible against the enveloping darkness. The artist employed a limited palette, primarily consisting of yellows, oranges, browns, and deep blacks. This restricted range contributes to a sense of intimacy and immediacy, drawing attention to the materiality of the objects themselves.
The use of light is particularly noteworthy. It appears to emanate from an unseen source, illuminating the fruit and casting dramatic shadows that deepen the surrounding space. The highlights on the peaches and lemons suggest a moistness or ripeness, while the shadowed areas create a sense of depth and volume. This interplay of light and shadow contributes significantly to the painting’s overall mood – one of quiet contemplation and sensory richness.
Beyond the straightforward depiction of fruit, theres a suggestion of transience inherent in the subject matter. The ripe peaches and lemons evoke themes of decay and the fleeting nature of beauty. The dark background can be interpreted as symbolic of the unknown or the passage of time, further emphasizing this sense of impermanence. The arrangement feels less like a celebratory display and more like a poignant observation of life’s cycles.
The artists technique – the visible brushwork and the emphasis on texture – suggests an interest in capturing not just the appearance of the fruit but also its essence, its tactile quality, and its inherent vulnerability.