Flemish painters – Provost, Jan (Flemish, 1465-1529) 3
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above these figures, suspended within a fiery red expanse resembling a stylized sun, floats a lamb accompanied by an eye – a motif of considerable symbolic weight. Below the central figures, another disembodied face is visible, seemingly emerging from a cloudy base. The globe itself is rendered with meticulous detail, displaying continents and what appear to be celestial bodies or constellations. A cross is affixed to its surface.
The arrangement suggests a hierarchical structure; the male figure appears to be in a position of sacrifice or suffering, while the female figure embodies authority and knowledge, seemingly presenting the globe – and by extension, the world – to the viewer. The presence of the lamb, often associated with innocence and redemption, further complicates this dynamic.
The inclusion of the eye motif within the sun-like backdrop introduces a sense of divine observation or judgment. It could be interpreted as representing omniscience or an all-seeing power overseeing the events unfolding below. The disembodied face at the base adds another layer of mystery, potentially symbolizing mortality, hidden truths, or a connection to the underworld.
The painting’s subtexts likely revolve around themes of divine governance, sacrifice, and the relationship between humanity and the cosmos. The globe serves as a microcosm representing the world under scrutiny, while the figures embody roles within a larger theological narrative. The artists meticulous rendering of detail – from the anatomical precision of the male figure to the intricate depiction of the globe – indicates an intention to convey profound spiritual meaning through visual representation.