Lamprey, with His Owner Sir William Morgan, at Newmarket John Wootton (1682-1764)

The composition presents a scene centered around a large grey horse, dominating the visual field. The animal is positioned slightly off-center, its form angled towards the viewer and partially obscured by a brick structure on the right side of the canvas. A young man, dressed in riding attire – a dark coat over a red waistcoat and breeches – stands near the horse, gently touching its muzzle with what appears to be a measuring stick or rod. He is flanked by two other figures: one, a gentleman in an elaborate orange coat and black tricorn hat, stands slightly behind him; the second figure, partially obscured, wears a dark wig and formal attire.
The setting seems to be outdoors, likely within a stable yard or paddock, suggested by the brick building with its tiled roof and the presence of loose earth underfoot. A darker-colored horse is visible on the left side of the painting, tethered near the gentleman in orange. The background features a muted landscape beneath a cloudy sky, contributing to an overall sense of subdued light and atmosphere.
The arrangement of figures suggests a moment of inspection or appraisal. The young man’s gesture towards the horse implies assessment – perhaps evaluating its conformation or size. This action is likely significant within the context of horse breeding and racing, activities that held considerable social and economic importance in the period. The gentlemans presence reinforces this notion; he appears to be observing the proceedings with a degree of authority.
The painting’s subtexts revolve around themes of ownership, status, and the value placed on animals – specifically horses – within a hierarchical society. The meticulous depiction of the horse’s musculature and coat suggests an appreciation for its physical attributes, while the formal attire of the men underscores their social standing. The subdued color palette and relatively restrained composition contribute to a sense of formality and controlled observation, hinting at the importance of tradition and lineage within this context. The presence of the tethered dark horse in the background may symbolize lesser status or perhaps represent a contrast with the primary subject’s perceived superiority. Overall, the work offers a glimpse into the world of equine ownership and the social rituals surrounding it.