Bonifacio Bembo – Queen of Swords and Knight of Cups
1442-43. 18x19 each. Tarot Cards painted for Filippo Maria Visconti, duke of Milan
Location: Pinacoteca di Brera, Milano.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The right panel features a man mounted on horseback. He wears a richly decorated tunic in shades of red and gold, topped with an elaborate headdress that suggests nobility or ceremonial role. His expression appears serene, almost detached, as he surveys the landscape before him. The horse itself is rendered with considerable detail, its musculature evident beneath its brown coat, and it stands amidst a patch of green foliage suggesting a natural setting.
The contrast between the two figures is striking. The woman’s stillness and inward focus are juxtaposed against the mans active posture and outward gaze. This difference might imply opposing approaches to problem-solving or emotional expression – one favoring introspection, the other action. The gilded backgrounds unify them visually while simultaneously emphasizing their individual roles within a larger narrative.
Subtleties in color and gesture hint at deeper meanings. The blue of the woman’s gown could symbolize loyalty or sadness, while the red and gold of the mans attire might represent passion or power. The placement of each figure – the woman slightly lower than the man – could suggest a hierarchical relationship or differing levels of influence. Ultimately, the work invites interpretation regarding the interplay between intellect and emotion, contemplation and action, and perhaps even the complexities of interpersonal dynamics.