Part 1 National Gallery UK – Bartolomeo Vivarini - The Virgin and Child with Saints Paul and Jerome
1460s
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking this central grouping are two male figures, each distinguished by their attire and attributes. To the left stands a man clad in dark robes, holding a long, slender sword. His face is shadowed, conveying an air of stoic resolve or perhaps vigilance. On the right, another figure, adorned in a vibrant red cap and cloak, holds what appears to be a book and a bell. The presence of these objects hints at scholarly pursuits and possibly ecclesiastical authority.
Each individual is surrounded by a golden halo, signifying their sanctity and elevating them beyond the earthly realm. This visual cue immediately establishes the work’s religious context. The background is uniformly gold, which serves not only to highlight the figures but also to evoke a sense of divine light and transcendence.
The arrangement suggests a hierarchical structure: the maternal figure and child occupy the focal point, while the flanking saints provide support and contextualize their significance within a broader spiritual narrative. The sword held by the man on the left could symbolize protection or martyrdom, while the book and bell in the hand of the other male figure might represent knowledge and the calling to proclaim faith.
The overall effect is one of quiet reverence and devotional contemplation. The artist’s use of color – the rich reds and blues contrasting with the gold background – creates a visually compelling scene that invites viewers into a world of spiritual significance. The careful rendering of facial features, particularly in the central figures, conveys a sense of humanity within a divine context.