Part 1 National Gallery UK – Adriaen van der Werff - The Rest on the Flight into Egypt
1706
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a dramatic chiaroscuro effect; the figures are illuminated by an unseen light source, creating a strong contrast with the deep shadows that envelop much of the scene. This technique draws attention to the mother and child, emphasizing their emotional significance within the narrative. The woman’s attire – a simple tunic draped over a darker undergarment – contributes to her air of modesty and maternal tenderness. Her posture is protective; one hand rests gently on the childs foot, while the other drapes across her chest, creating a sense of enclosure and comfort.
Further back in the composition, partially obscured by foliage, sits another figure, presumably male, his head bowed in what appears to be contemplation or weariness. He seems detached from the immediate interaction between mother and child, suggesting a broader narrative context beyond this intimate moment. The landscape itself is rendered with a soft focus, hinting at distance and an uncertain future. The dense vegetation creates a sense of enclosure, while glimpses of distant hills suggest a path forward, albeit one shrouded in ambiguity.
The flower placed upon the child’s chest carries symbolic weight; it could represent purity, fragility, or even hope amidst adversity. The blue cloth serves as a visual anchor, its rich color contrasting with the earth tones of the ground and the muted greens of the foliage. Overall, the painting conveys a sense of refuge and quiet resilience in the face of hardship, exploring themes of maternal love, vulnerability, and the enduring power of faith.