After Benozzo Gozzoli – The Virgin and Child Enthroned with Angels Part 1 National Gallery UK

The composition presents a central figure, a woman draped in rich blue robes, seated upon what appears to be a raised platform or architectural element. She holds a small child close, their bodies intertwined in a gesture of maternal tenderness and protection. The childs garments are pinkish-red, contrasting with the deep blue of the woman’s attire.
Surrounding this central pair is a retinue of angelic figures. Four angels stand behind them, arranged symmetrically within an elaborate golden halo inscribed with text. Their wings display varying degrees of detail and coloration – some are predominantly orange-red, while others incorporate white and yellow hues. Two additional angels occupy the lower portion of the scene, positioned on either side of a small basket filled with flowers. These figures appear more playful in their poses, one gesturing towards the viewer, the other holding a garland or wreath.
The background is dominated by gold leaf, which creates an ethereal and otherworldly atmosphere. A subtle architectural detail – a suggestion of columns or pilasters – is visible behind the central figures, hinting at a sacred space. The lower edge of the composition features a band of green foliage, providing a grounding element to the otherwise elevated scene.
The arrangement suggests a hierarchical structure, with the woman and child as the focal point, surrounded by celestial beings in a display of reverence. The inscription within the halo likely identifies the figures, reinforcing their significance. The inclusion of flowers and playful angels introduces an element of earthly joy into this divine setting. The overall effect is one of solemnity combined with gentle grace, characteristic of devotional art intended to inspire piety and contemplation.