Pieter Lastman – The Rest on the Flight into Egypt Part 5 National Gallery UK

The composition presents a scene of quiet repose within a densely wooded landscape. A woman, draped in rich blue fabric, sits upon a stone ledge, cradling a small child in her arms. Beside her, a bearded man rests his hand gently on her shoulder, their gazes directed towards one another, suggesting an intimate connection and shared concern. The figures are positioned slightly off-center, drawing the viewer’s attention to their interaction while simultaneously framing the surrounding environment.
The landscape itself is rendered with considerable detail. A waterfall cascades down a rocky incline in the background, partially obscured by foliage, creating depth and a sense of vastness. The trees are painted with an emphasis on texture and shadow, contributing to the overall feeling of enclosure and seclusion. Light filters through the canopy, illuminating patches of the figures’ clothing and highlighting certain areas of the landscape.
Several symbolic elements are present within the scene. Scattered near the ledge are a few fruits – pomegranates and other unidentified produce – which may allude to fertility, abundance, or even paradise lost. The presence of these objects, seemingly discarded, introduces an element of narrative complexity; they suggest a journey undertaken, a departure from something familiar.
The woman’s attire is noteworthy. Her blue robe signifies royalty and divine grace, while the white head covering reinforces her purity and piety. The child she holds appears vulnerable yet serene, his gaze directed upwards, perhaps towards a higher power or an unseen presence. The mans weathered face and simple garments suggest humility and resilience in the face of adversity.
The overall tone is one of quiet contemplation and weary hope. While the figures are clearly resting, there’s an underlying sense of anxiety and uncertainty conveyed through their posture and expressions. They appear to be seeking refuge, a temporary respite from some unseen threat or hardship. The painting evokes themes of protection, familial bonds, and the enduring power of faith in times of trial.