Peter Paul Rubens – Portrait of Thomas Howard, 2nd Earl of Arundel Part 5 National Gallery UK

The portrait presents a man in three-quarter view, his gaze directed slightly off-center, suggesting contemplation or perhaps a momentary distraction. He is positioned against a dark, almost featureless background that emphasizes his presence and directs the viewers attention entirely upon him. The lighting is dramatic; it illuminates one side of his face, highlighting the texture of his skin and emphasizing the shadows that define his features. This chiaroscuro effect contributes to an overall sense of gravitas and seriousness.
The man’s attire speaks volumes about his status. He wears a luxurious fur-lined coat over what appears to be formal dark clothing, topped with a crisp white ruff edged in blue. A medallion hangs from a ribbon around his neck, likely signifying membership in an order or a significant achievement – a visual marker of nobility and distinction. The beard, neatly trimmed but still substantial, adds to the impression of maturity and authority. His hair is styled in loose curls that frame his face, softening the severity of his expression somewhat.
Beyond the straightforward depiction of a man of rank, there are subtle subtexts at play. The slight downward tilt of his mouth hints at a certain melancholy or perhaps a quiet reserve. He does not project an image of exuberant joy; instead, he embodies a dignified composure. The careful rendering of his hands, partially obscured by the fur collar, suggests an awareness of detail and refinement – qualities associated with patronage and intellectual pursuits.
The artist’s technique is notable for its loose brushwork, particularly in the depiction of the fur. This creates a sense of texture and movement that contrasts with the more precise rendering of the mans face. The overall effect is one of restrained elegance and psychological depth; it is not merely a likeness but an attempt to capture something of the sitter’s character and standing within his world.